The Audio Technology Program at American University in Washington, D.C., focuses on both the art and the science of audio and music technology. This spring, the school chose Genelec audio monitors for its two main control rooms.
In this fourth installment of the Immersive Audio series we investigate the production tools needed to produce live immersive content. Moving from channel-based output to object audio presents some interesting challenges as the complex audio image moves around in three-dimensional space.
Sennheiser and Neumann will highlight Sennheiser’s entry-level 2.4GHz XS Wireless Digital mic systems for DSLR/DSLM audio; the professional SK 6212 UHF mini-bodypack transmitter and EK 6042 camera receiver for location and studio work. They will also show the Neumann KH 750 DSP subwoofer and NDH 20 studio headphones for critical monitoring applications.
For most people who are not experts in studio acoustics, treating a new space for audio production in an office or home is difficult and complex. In many situations, novices confuse sound isolation and acoustic treatment. Putting a few acoustic panels on the wall will not create a good sounding
Michael Carnes is a legend in the pro audio industry. As a long-time software developer and musician, he is responsible for the Lexicon 960L, the PCM96 and Lexicon plug-ins. In recent years, Carnes founded Exponential Audio, a leading company in digital reverb, best known for its R4, PhoenixVerb Surround and