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Studio Technologies, manufacturer of high-quality audio, video, and fiber-optic solutions, announces the release of its new Model 214A, 215A, and 216A Announcer’s Consoles. The three units are designed to serve as the audio control center for announcers, commentators, and production personnel.
Designed to drive the world’s most demanding data-driven sports and news production workflows, Chyron PRIME 4.9 boasts an array of updates, both large and small, that significantly enhance the operator experience — and improve operator efficiency — in designing and playing out complex graphics that pull information from real-time data sources. Along with control panel and focus improvements, the platform offers even more extensive data integration and management capabilities, faster and more convenient workflows for creating and modifying large tables, and a series of features that combine to streamline and accelerate workflows built on SMT real-time sports data.
This article describes the various codecs in common use and their symbiotic relationship to the media container files which are essential when it comes to packaging the resulting content for storage or delivery.
This is a list of the commonly used media container file formats, their owners and the dates when they were created.
This is a list of the abbreviations for media container files which are commonly used within documentation.
This list of file container formats and their extensions is not exhaustive but it does describe the important ones whose standards are in everyday use in a broadcasting environment.
Talk to any audio engineer in the broadcast or live segment and they will tell you that separating the control surface (some call it the front end) from the I/O stageboxes and routing/patching section (the back end) as well as the DSP processor makes their lives so much easier, especially if such a setup evolves around an intuitive management system.
The Bathurst 1000 is a massive production by anybody’s standards, with 175 cameras, 10 OB’s, 250 crew and 31 miles of fiber cable. Here is how the team at Gravity Media Australia pull it off.
