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Most novice videographers can plug a microphone into a mic jack and get a reasonably good audio signal. However, at times, many get noise, distortion or an unusably low audio level. That is usually caused by mismatch in audio connection types.
Mobile editing that is self-contained on a cell phone has become a reality with capabilities that can be astonishing.
The options for sophisticated post production editing are becoming ever more varied. Now, you can even carry them with you in your pocket.
Broadcasting used to be simple. It required one TV station sending one signal to multiple viewers. Everyone received the same imagery at the same time. That was easy.
As we migrate to IP, broadcasters are thinking about how they will interface their SDI, MADI, and AES systems together. Many see the benefit of IP and one day all devices will be IP-enabled. But until that time arrives, we need to understand how to interface new and old together. In this article we investigate real applications on how to connect existing and new technologies.
Throughout this series of articles, we’ve been investigating the detail of how OTT internet delivery works. In this article, we dig deeper into the operational systems, and investigate the additional benefits and necessity of monitoring.
Broadcast television has witnessed many advances in technology since the first electronic images were transmitted in the 1930’s, and none have been as influential or disruptive as IP. But are we now at the dawn of the perfect win-win outcome? Can manufacturers, entrepreneurs, and broadcasters all equally gain from IP migration?
Among the most overlooked video accessories are outdoor windscreens for microphones. Much of a video crew’s work is outdoors and random wind noise is one of the most difficult anomalies to control. This means some sound operators, who work in extreme environments, spend as much money on wind protection gear as the microphones themselves.