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The Blackmagic URSA Broadcast G2 features dual gain ISO up to +36dB, H. 265 and Blackmagic RAW file formats.
As broadcast facilities and other organizations that use media to educate and inform continue to carefully make the move to video over IP, they currently face two main options, with a range of others in the wings. They may opt for a full SMPTE ST 2110 design that leverages uncompressed pristine quality video for higher profile productions or lightly compressed NDI networking, which brings with it less costs and easy access to an expanding ecosystem of compliant products and systems.
Due to the flexibility and virtually unlimited access of the Internet Protocol, manufacturers of broadcast and production equipment have for years provided customers with the remote ability, via an HTML 5 browser interface, to monitor and control hardware devices via a smart phone, tablet or laptop. Vendors have now begun to take that access one step further and have developed dedicated applications for mobile phones—which have been optimized for the reduced scale of a phone screen—that put this control in the palm of your hand.
“You need to be very predictable with the broadcast at all times. When I started doing this you had to be really careful with 5.1; there was no standardization,” he says. Indeed, for a long time, as broadcasters began to switch to HDTV across the U.S., it was not unusual for audio channels to be mixed up during transmission, or for audio processors to be incorrectly set or configured.
Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry, cinematographer John Matysiak took a different approach to creating a realistically harsh and unforgiving world for director Potsy Ponciroli’s western.
Mo-Sys Engineering reveals new solutions for LED virtual production with a high frame rate (HFR) StarTracker camera tracking system and the award-winning NearTime workflow extended to LED volumes.
Progress inevitably comes with compromise. We can’t complain about the technology that’s brought us from hundred-kilo tube cameras to the 4K cellphones of today, but anyone who remembers the fuzzy old days of the 1990s might also remember a few things that we miss in 2021. Let’s examine a few.
ASG, ES Broadcast and LOGIC Media Solutions join the GV Media Universe Advanced Channel Partner Program.
