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It was in December 2018, during the Rugby World Cup hosted by Japan, that national broadcaster NHK began testing what it called its “Super Hi-Vision” 8K system, broadcasting images via satellite at up to 16x greater than that of HD—with a complementary 22.2-channel audio scheme. At the time NHK, working with Hitachi, developed its own 8K camera system and was (and still is) broadcasting 8K in frame rates of 59.94, 60 and 120P.
As head of NewTek and later its NDI subsidiary for decades until last year, Dr. Andrew Cross was a big advocate of making technology accessible and affordable to a wide range of people. It just made good business sense to create an ecosystem and then allow users to experience some of it for free and build up from there.
Innovative technologies have enabled remote production to take center stage. Although live video capture remote from the studio has been happening for years, COVID-19 has forced this trend to evolve. Today, everything from filming content to directing to editing can be done remotely.
EnGo 3 and EnGo 3x unlock unmatched 5G technology, providing reliable connectivity, 4K UHD video transmission, and multi-camera support for broadcasters and production companies.
The V-702W, (and the 12G-compatible model V-702W-12), are feature-packed dual 7” LCD professional broadcast monitors, perfect for fly-packs, control rooms, routing rooms and countless other video system applications.
The TG-47 is designed for smaller cameras that need the strength and power of a traditionally larger PT head packed into a compact footprint.
As we saw earlier when discussing transform duality, when something happens on one side of a transform, we can predict through duality what to expect on the other side.
The world’s first immersive audio format is getting a new generation of consumers hooked via gaming, VR and ASMR, while both production and consumer technology is making it easier to record and easier to access.
