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Virtual production based around LED walls involves a disparate collection of technologies, and the people best placed to get the best out of the technology are often multi-disciplinarians with experience across several fields.
Information can never be separated from its nemesis, which is uncertainty. The former is only possible by limiting the latter.
ZEISS Cinematography has introduced its first service of the new CinCraft ecosystem for the digital application of lens looks into compositing and matchmoving workflows.
Despite significant lobbying efforts on the part of wireless microphone manufacturers and others to establish secure RF spectrum in which to operate, the FCC has issued a new order declining the industry’s request to preserve a vacant channel in the television bands for use by white space devices and wireless microphones.
Over the century or so we’ve been making moving images, a lot of improvements have been dreamed up. Some of them, like stereo 3D and high frame rate, have repeatedly suffered a lukewarm reception. Other things, like HD, and even sound and color, enjoyed more or less universal acclaim.
First Mile Technologies equips KALA turn-key vehicle to handle multiple functions on fast-moving film, TV and commercial sets, streamlining creative workflows with Dejero EnGo and GateWay.
Grass Valley is collaborating with Epic Games to bring Unreal Engine, the world’s most advanced real-time 3D creation tool for photoreal visuals and immersive experiences, to GV AMPP (Agile Media Processing Platform). Unreal Engine on AMPP enables customers to leverage the most innovative real-time rendering system natively with all Grass Valley video technology.
Vinten, a manufacturer of manual and robotic camera support systems, has launched its new Osprey pedestal series — a range of two-stage pedestals designed for camera operators to effortlessly move and precisely frame the on-screen image, placing viewers ‘in the action’.
