Part 7 in our series from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, culminates with the five speakers joining on a panel moderated by Tony Orme, Editor at The Broadcast Bridge.
We all understand what it means when someone says a video went viral. It typically means a person used a mobile device to record an event and posted it to any number of social media websites. How does that have anything to do with professional broadcast and production?
Part 6 in our series from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, Norbert Paquet, Head of Product Management – Sony Europe, discusses system architectures, network control, and the business benefits of IP.
In 2017, when Portuguese media group Impresa decided to relocate its SIC (Sociedade Independente de Comunicação) TV network facilities about 10 kilometers away to one of its existing buildings in Lisbon, they knew they had a chance to create something special. In the span of four months, with the help of S
The techniques of 35mm film are seductively simple. The process is the same no matter what the camera in use, or how the film will be cut. Conversely, every digital camera might have its own ways of approaching different parts of the process, creating a forest of terminology – gamma, gamut, s
Part 5 in our series from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, Phil Myers, Senior Director – IP Systems, Lawo, discusses real-life applications for IP infrastructures including green-field sites, hybrid installations, and remote broadcast.
WE Fest, the largest country music festival in the United States and the longest running in the world, held in August, used a Blackmagic Design 8K production switcher as part of a 4K Ultra HD 12G-SDI and fiber live production workflow. Now in its 37th year, the three-day festival took