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Samyang’s new V-AF family has been designed specifically for video creators, to make content creation more convenient.
Zixi has announced a partnership with Marshall Electronics, a worldwide provider of professional Broadcast and AV technologies for television production, enterprise AV, UCC, studio, corporate, courtroom and others, who have integrated the SDVP into their lineup of IP cameras.
Sony launches the FR7, the world’s first*1 PTZ camera to combine a full-frame image sensor, lens interchangeability, and remote shooting functionality.
LiveU has announced the LU810 and LU610S, its breakthrough rackmount REMI (remote production) encoders with support for 5G, 4K and synchronized, multi-camera contribution.
Much of the attention enjoyed by virtual production currently goes to the spectacular stages with LED displays the size of half a dozen cinema screens. The material we put on those displays, though, can come from a number of places, and anyone putting together a virtual shoot will quickly encounter some subtleties that can make life easier – or, if mishandled, a lot harder.
In the last article in this series, we looked at SDP files and the importance they play in identifying source and destination devices. In this article, we look at why we combine layer-2 switching and layer-3 routing, and why broadcasters are moving towards Software Defined Networking (SDN).
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Mo-Sys Engineering announces the launch of its new high-performance motorized rail, MoRail, which enables cost-effective creative pan-tilt-zoom (PTZ) and ENG camera movement within newsroom environments.
While cloud services and remote production have dominated many conversations at recent trade shows, cameras and image processing remain a key part of any workflow. At the upcoming IBC Show, many companies will show new technology for capturing an image at its highest resolution and then converting it into a useable format for the variety of distribution platforms that broadcasters and content distribution organizations must support.
