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Having earlier looked at the different ingredients of spatial coding, the opportunity now arises to pull them together into a system.
How efficient one-to-many video distribution is achieved over IP networks using multicasting.
The histories of broadcasting and radar are forever intertwined as the same people worked in both fields and knowledge flowed between them. Television and radar are both imaging technologies, but only one is for entertainment.
Welcome to Part 1 of Audio For Broadcast - a huge 16 article audio course that explores the science and practical applications of audio in broadcast.
How AVB, AES67 and proprietary solutions like Dante address the challenges of using asynchronous internet networks to distribute audio.
Recognizing that a 53-foot expanding mobile unit is often out of reach financially for many tier 2 sporting events - e.g., women’s college volleyball or professional pickleball - production companies that offer such high-end resources are expanding their horizons with lower cost, highly portable and as-needed options that fit the bill.
In a world of digital samples and extensive sound effects libraries, a production company in the UK is determined to preserve the art and craft of Foley sound. Foley is the recording and performance of sound effects that are added to films, videos, and other media in postproduction to bring the on-screen images to life.
To be able to see a moving object reasonably well, the eye tracks the object and the smart camera operator will pan the camera to keep it still in the frame. Eyes and cameras have in common that they can only do this for one moving object and everything else will be seen less well.
