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A guided tour through the basics of broadcast audio production workflow using the role of the mixing console and the core areas of its functionality, as a way to explain how it all goes together.
There is definitely such a thing as the film look. Much of it is because of the serious limitations caused by the low frame rate.
The basic principles of the science of how sound works, tackled from a contextual perspective, through a discussion of the evolution from analog to digital audio technology.
How the introduction of PTP addresses the critical challenges of timing in IP networks and brings additional flexibility to broadcast infrastructure.
EMG Group companies Aerial Camera Systems (ACS) and EMG Connectivity (previously Broadcast RF) are delighted to announce a four-year extension of their contract with Wimbledon Broadcast Services (WBS) to be the specialist cameras and RF equipment supplier to The Championships, Wimbledon, staged by the All England Club’s annual Championships.
Welcome to Part 1 of Virtual Production For Broadcast - a major 12 article exploration of the technology and techniques of LED volume based virtual production approached with broadcast studio applications in mind.
EMG, Europe’s leading broadcast service provider, has announced the launch of four front-end OB vehicles that enable broadcasters to harness the benefits of remote production. Aligning with EMG’s ESG (Environmental, Social and Governance) programme, the vehicles fulfil a host of sustainability goals including energy efficiency and reduced staff requirement on site while providing a state-of-the-art technology infrastructure.
Having earlier looked at the different ingredients of spatial coding, the opportunity now arises to pull them together into a system.
