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John Watkinson continues his exploration of the potential for a true motion tv system that requires the complete removal of frame sampling to make each pixel a continuous representation of the image thus removing motion artefacts.
Understanding IP Broadcast Production Networks is a free 62 page eBook containing a collection of 14 articles which provide the basic building blocks of knowledge required to understand how IP networks actually work in the context of broadcast production systems.
A powerhouse 1x1 production LED light with a brand-new, custom-designed LED optic system, the ANOVA PRO 3 is the most advanced light Rotolight has ever produced. With over 22,000 lux, the ANOVA PRO 3 produces more than double the output of both the previous generation Anova, and the mighty AEOS 2 PRO. The ANOVA PRO 3 arrives delivering a range of revolutionary, industry-first features and unparalleled versatility for TV production, filmmakers, professional photographers and content creators.
Our series exploring the basic technology and tools of audio in broadcast continues with a collection of four articles which discuss the purpose and features of the essential audio sweetening tools; Dynamics, EQ and Noise Control.
Ned Soseman gives us a rundown of some of the trends in US regional TV stations and what the biggest budget items have been in 2023.
Virtual Production For Broadcast is a major 12 article exploration of the technology and techniques of LED wall based virtual production approached with broadcast studio applications in mind. Part 3 examines shooting locations for virtual production, creating virtual versions of real objects and motion capture.
Moving beyond the use of three primary colors could significantly increase the range of colors we can reproduce. There is no doubt it could improve the viewer experience but what are the barriers to adoption?
LIVE_Productions_Singapore_montage_460_259_70.jpg "The UHK-X700 cameras in use at RE:LIVE Productions’ Singapore headquarters.")
RE:LIVE Productions, formerly known as Pufferfish Productions, one of Singapore’s leading providers of creative video, event management and live streaming services, has invested in three Ikegami UHK-X700 4K-UHD camera systems. In addition to the cameras, the new purchase includes three BSX-100 base stations, OCP-300 operating control panels and full-HD VFL701D 7-inch LCD viewfinders plus a 2-inch monocular VFL201D. These will be used in RE-LIVE Productions’ studio projects as well as being made available as part of the rental fleet.
