Recent Content

Essential Guide: Flexible IP MonitoringApril 16th 2021 - 09:30 AM

Video, audio and metadata monitoring in the IP domain requires different parameter checking than is typically available from the mainstream monitoring tools found in IT. The contents of the data payload are less predictable and packet distribution more tightly defined leading to the need to use specialist media stream centric monitoring tools.

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Essential Guide: HDR For CinematographyApril 20th 2020 - 09:00 AM

High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers demand.

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Essential Guide: Practical High Dynamic Range Broadcast WorkflowsJanuary 8th 2020 - 09:00 AM

HDR is taking the broadcasting world by storm. The combination of a greater dynamic range and wider color gamut is delivering images that truly bring the immersive experience to home viewers. Vibrant colors and detailed specular highlights build a kind of realism into broadcast productions that our predecessors could only have ever dreamed of.

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LA Ram’s quarterback barely gets a pass launched before being tackled by a New England defensive back. Image: Mercedes Benz Stadium.

Special Report: Super Bowl LIII – The Technology Behind the BroadcastFebruary 18th 2019 - 11:30 AM

New England Patriot quarterback, Tom Brady, entered Mercedes Benz stadium in Atlanta, GA on February 3rd having already won five Super Bowl games. And through four-quarters of play, all delivered by a television crew of hundreds of technicians, sports casters and engineers, about 100 million television viewers watched Brady add another victory to his historic play by setting the record for the most Super Bowl victories by any player in the league, now totaling six.

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Super Bowl 15 - A Technological Feat of Super ProportionsFebruary 6th 2015 - 01:00 PM

What broadcast engineer, video or audio technician or camera person hasn’t wanted to work the Super Bowl? Being part of the broadcast team for the most high-profile event in U.S. television is considered by many to be a career-crowning achievement. For those who do work the Super Bowl, it may be just another weekend football game—albeit one with an intensity that is off the chart!

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