Workflows, equipment, and technology breakthroughs. Discover who is using 4K/8K and why. Understand the theory and practical significance of providing more pixels, higher frame rates, and bigger and better color space.
New England Patriot quarterback, Tom Brady, entered Mercedes Benz stadium in Atlanta, GA on February 3rd having already won five Super Bowl games. And through four-quarters of play, all delivered by a television crew of hundreds of technicians, sports casters and engineers, about 100 million television viewers watched Brady add another victory to his historic play by setting the record for the most Super Bowl victories by any player in the league, now totaling six.
IP networks have been at the heart of many broadcast operations for two decades and more. Editing uses commodity workstations and IP networks, as do playout operations. But live production has, until recently, been the preserve of SDI. The advances in IT, driven by the data centers that power the cloud, and the general move to virtualization, brings benefits that now make live, real-time broadcast operations possible in an all-IP environment. There is gathering momentum to consider IP-connected broadcast equipment instead of the tried and tested SDI, which has served the industry well since the introduction of digital video.
What broadcast engineer, video or audio technician or camera person hasn’t wanted to work the Super Bowl? Being part of the broadcast team for the most high-profile event in U.S. television is considered by many to be a career-crowning achievement. For those who do work the Super Bowl, it may be just another weekend football game—albeit one with an intensity that is off the chart!