The world’s first immersive audio format is getting a new generation of consumers hooked via gaming, VR and ASMR, while both production and consumer technology is making it easier to record and easier to access.
The U.S. Postal Service’s unofficial motto applies just as much to ENG crews as to mail carriers: “Neither snow nor rain nor heat nor gloom of night” will keep these dedicated professionals from their appointed tasks.
With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.
Using lessons learned from its bubble experience during the 2020 pandemic season, the National Basketball Association (NBA) continues to reimagine how it broadcasts games to its viewers while also carefully returning to traditional production workflows that have served its TV coverage well. However, there’s no doubt that various REMI methods are allowing teams to produce NBA content with fewer production personnel and fewer technical assets located onsite.
“If you can’t stand the heat, get out of the kitchen,” U.S. president Harry S. Truman famously said. But when there’s a cooking show to produce, audio engineers have no alternative but to improvise.
If you are going to try and convey the bone-rattling power of nitro-fueled cars drag racing down a quarter-mile track to viewers at home, what better way than to mix it in Dolby Atmos?
Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.
In the second of the articles in this cloud microservices workflow series, we take a deeper look at how microservices are integrated into workflows using RESTful APIs, as well as reviewing storage deployment and accessibility “on your terms”.