Recent Sports Content

NAB Show exhibits always impress visitors, starting in the LVCC lobby. Photo courtesy NAB.

2022 NAB Show Review, Part 2May 2nd 2022 - 09:00 AM

With fewer exhibits and smaller crowds, the 2022 NAB Show aisles were easier to navigate and exhibitors had more time to speak with visitors.

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NAB exhibits opened at 10 a.m. on Sunday. It wasn’t the usual heathy 100,000+ crowd, but it was an excited and healthy 52,000. Courtesy NAB.

2022 NAB Show Review, Part 1April 29th 2022 - 12:30 PM

Many annual NAB Shows have become milestones in TV broadcasting history. The presence of the 2022 NAB Show marked the first Las Vegas NAB Show since 2019.

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NDI|HX transported a stuttering 720p30 video stream across the internet at 744 Kbps. The wind blowing the tree was the motion component.

Field Report: Comparing Live Remote Internet Video With: NewTek Spark & NDI 5… & Teradek Cube 600 March 22nd 2022 - 09:00 AM

Philo T. Farnsworth’s reported first words upon seeing the first TV image, which happened to be transmitted wirelessly, were “There you are, electronic television!” Some 95 years later, TV broadcasters and viewers rely more on wireless electronics than ever.

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Cinema’s Growing Influence On Live Sport Production March 8th 2022 - 09:00 AM

With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.

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The Modern Video ProcessorMarch 7th 2022 - 09:30 AM

The goal of any media process chain is to get the picture from origin – the output of the camera – to destination – the viewer’s screen – in as near perfect condition as possible. Whatever the content and genre, the technology’s service to the program-maker is to ensure the audience accurately sees what they created.

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TV production continues to successfully adapt to safety mandates and limitations to capture live events.

2021: Remote Tech Challenge MetDecember 31st 2021 - 09:00 AM

If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.

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Grass Valley’s Agile Media Processing Platform will help orchestrate customers’ move to cloud-based operations.

Refocused Grass Valley Puts Cloud-Based AMPP At The Center Of Its UniverseDecember 15th 2021 - 09:00 AM

Back in the fall of 2020, several months after private equity firm Black Dragon Capital completed its acquisition of Grass Valley, it became apparent to the company’s management team that it had an unpolished jewel in the GV portfolio that needed attention. Given the virtualization changes, cost cutting and high demand for new content occurring within the industry, customers who served as beta testers told them, “this AMPP thing is going to change the industry.”

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The studio balcony provided an up-close view of World Championship powerboat racing and wild sound for announcers and a worldwide audience.

Live OB TV: It’s A Magic Show - Part 1December 6th 2021 - 09:00 AM

Most live remote outside broadcasts are thoroughly planned by producers and directors who are often too busy to consider potential equipment problems. Technology is an engineering responsibility. Engineers must be ready for any circumstances that threaten to take the show off-script or off-air, from dead wireless mic batteries to unexpected foul weather. In live TV, anything can happen and probably will, usually at the worst possible time.

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