In Part 1 we looked at how TDM provides a compromise to deliver the flexibility and scalability of IP, while at the same time providing the ease of use of SDI. In this article, we look at how TDM deals with latency and frame accurate timing.
Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.
If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.
In the action-packed and frenetic world of motorsports operations, crew communications at the track can be as important to success as the actual performance of the car itself. Monitoring telemetry from the cars and managing and distributing hundreds of audio channels has also become vital. It’s hard work configuring the required technology infrastructures on a weekly basis during the 11-month Formula 1 (F1) racing season, but well worth it.
In the second of the articles in this cloud microservices workflow series, we take a deeper look at how microservices are integrated into workflows using RESTful APIs, as well as reviewing storage deployment and accessibility “on your terms”.
The power and flexibility of cloud computing is being felt by broadcasters throughout the world. Scaling delivers incredible resource and the levels of resilience available from international public cloud vendors is truly eye watering. It’s difficult to see how any broadcaster would run out of computing power or storage, even with 4K and 8K infrastructures.
As broadcast facilities and other organizations that use media to educate and inform continue to carefully make the move to video over IP, they currently face two main options, with a range of others in the wings. They may opt for a full SMPTE ST 2110 design that leverages uncompressed pristine quality video for higher profile productions or lightly compressed NDI networking, which brings with it less costs and easy access to an expanding ecosystem of compliant products and systems.
The pandemic has affected the system design and operations of live sports production in a myriad of ways. At first it was difficult for many to figure out but then evolved into the deployment of innovative types of distributed workflows and crews that drastically altered the physical positioning of technology and human resources.