Recent Sports Content

Microphones: Part 9 - The Science Of Stereo Capture & ReproductionDecember 21st 2021 - 09:00 AM

Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.

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Formula 1 Racing has used Riedel Comms systems for nearly three decades to keep its crews and drivers on the same page during a race.

Formula 1 Season Supported By IP Distributed Network And Elbow GreaseDecember 17th 2021 - 09:00 AM

In the action-packed and frenetic world of motorsports operations, crew communications at the track can be as important to success as the actual performance of the car itself. Monitoring telemetry from the cars and managing and distributing hundreds of audio channels has also become vital. It’s hard work configuring the required technology infrastructures on a weekly basis during the 11-month Formula 1 (F1) racing season, but well worth it.

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Cloud Microservice Workflow Design - Part 2December 16th 2021 - 09:00 AM

In the second of the articles in this cloud microservices workflow series, we take a deeper look at how microservices are integrated into workflows using RESTful APIs, as well as reviewing storage deployment and accessibility “on your terms”.

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Cloud Microservice Workflow Design - Part 1December 7th 2021 - 09:30 AM

The power and flexibility of cloud computing is being felt by broadcasters throughout the world. Scaling delivers incredible resource and the levels of resilience available from international public cloud vendors is truly eye watering. It’s difficult to see how any broadcaster would run out of computing power or storage, even with 4K and 8K infrastructures.

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Microphones: Part 8 - Audio VectorscopesDecember 3rd 2021 - 09:00 AM

The audio vectorscope is an excellent tool for assuring quality in stereo sound production, because it makes the virtual sound image visible in the same way that a television vectorscope allows the color signals to be seen.

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Digital Audio: Part 18 - SynchronizationNovember 30th 2021 - 09:00 AM

Digital audio interfaces were developed as a way of avoiding generation loss between devices.

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AJA Video Provides Flexible Bridge From SDI To NDI And Back AgainNovember 26th 2021 - 09:30 AM

As broadcast facilities and other organizations that use media to educate and inform continue to carefully make the move to video over IP, they currently face two main options, with a range of others in the wings. ​They may opt for a full SMPTE ST 2110 design that leverages uncompressed pristine quality video for higher profile productions or lightly compressed NDI networking, which brings with it less costs and easy access to an expanding ecosystem of compliant products and systems.

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Creative Audio - Mixing Live Music For TV With John Harris - Part 2November 25th 2021 - 09:00 AM

“You need to be very predictable with the broadcast at all times. When I started doing this you had to be really careful with 5.1; there was no standardization,” he says. Indeed, for a long time, as broadcasters began to switch to HDTV across the U.S., it was not unusual for audio channels to be mixed up during transmission, or for audio processors to be incorrectly set or configured.

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