Try our new AI powered Smart-Search!
Following a rash of 4K UHD products that hit the market two years ago, cameras with high dynamic range (HDR) capability also began to emerge as a less costly alternative to improving signal quality. Indeed, HDR had a strong showing at the 2017 CES, with different TV manufacturers pledging support for Dolby Vision (PQ) and Hybrid Log-Gamma (HLG) systems in addition to the baseline HDR10 standard.
Powercast long-range wireless power technology has gained three additional FCC approvals, adding one Part 15 and two Part 18 certifications. What’s in it for TV broadcasters?
Production companies and various sports channels (and leagues) in the U.S. and abroad have been eager to test the new generation of 5G equipment in an effort to take advantage of its promised lower-latency, ultra-fast speeds, and enhanced capacity. Although compatible consumer phones and the required network infrastructure to support millimeter wave (AT&T’s “5G+”) technology is not yet widely deployed, a number of successful tests have been conducted that show its promise.
By any measure, this year’s 2019 2nd European Games in Minsk, Belarus from June 21-30 were a major sports undertaking that required a lot of technical coordination and logistical skill to make happen. Over 4,000 athletes from 50 European Countries competed in 15 different sports and 23 disciplines. International Sports Broadcasting SL (ISB) served as the host broadcaster for the Games.
Immersive audio transforms the listening environment to deliver a mesmerizing and captivating experience for a wide range of audiences and expansive group of genres.
Audio normalization is the application of a constant amount of gain to a recording with the goal of bringing the amplitude to a target level. The signal-to-noise ratio and relative dynamics of the audio remain unchanged in the process because the same amount of gain is applied across the entire recording. Is it a good practice to normalize audio? The answer is: sometimes.
_460_345_70.jpg "SVT remote production - its scale broke new ground")
Sweden’s national public broadcaster Sveriges Television (SVT) partnered with Net Insight, Grass Valley and EVS to undertake remote IP production for the broadcast of the FIS Alpine World Ski Championships in Sweden earlier this year. Here’s how it was done.
In designing their new AK-UC4000 4K/HD studio camera, the engineers at Panasonic recognized that current 4K UHD studio cameras use smaller pixels to create a higher resolution image. This, they said, leads to less sensitivity and a “noisier” image because there’s less dynamic range.