Remote Production

Understand how to choose the optimal remote production strategy for your workflow. Latency, circuit data capacity, and quality of service all influence the best strategy decisions when figuring out where to install cameras, production switchers, microphones and sound consoles.

Recent Remote Production Content

The Super Bowl LVI will be broadcast and streamed from Los Angeles’ SoFi Stadium on 15 February 2022. Courtesy KTTV.

Transporting Super Bowl LVIFebruary 11th 2022 - 09:00 AM

“It’s great for all of us, the fact that we can have the two biggest events in all of sports in the Super Bowl and the Winter Olympics really on top of each other. It’s a great opportunity. And as I said to the team and as you and I have talked, if we can’t get excited for that, we are probably in the wrong business, so I think it’s fantastic.” NBC Sports Chairman, Pete Bevacqua.

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NBC has plans to live stream and broadcast more than 2800 hours of exciting Winter Olympics coverage. Courtesy NBC.

Winter Olympics Infrastructure ChallengesFebruary 9th 2022 - 09:00 AM

“We’ll start off in Beijing, we’ll have that great opening week of Beijing in the Winter Games, and then smack dab in the middle of the Winter Olympics we have the Super Bowl. And I think we’ll be able to talk about the Olympics during the Super Bowl, we’ll be able to talk about the Super Bowl and the lead up to it during the Olympics.” Pete Bevacqua, NBC Sports Chairman.

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Predicting what

Managing 2022January 10th 2022 - 09:30 AM

The new year is a time to ponder the past and muse about the future. In the past, nearly each technical device needed to produce broadcast TV cost more than building a new house, was as huge as it was heavy, and made pictures nobody would accept today. About 20 years ago, many analog TV stations were launching their DTV stations. Today, US TV stations are launching ATSC 3.0. Can you imagine what TV broadcasters will be doing in 2042?

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2022 looks to be a year of continued innovation and budget responsibility.

Production Trends For 2022January 7th 2022 - 09:00 AM

A new year means a new look at how your operations are handling (producing and delivering) content and which new technologies might make things better.

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TV production continues to successfully adapt to safety mandates and limitations to capture live events.

2021: Remote Tech Challenge MetDecember 31st 2021 - 09:00 AM

If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.

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Formula 1 Racing has used Riedel Comms systems for nearly three decades to keep its crews and drivers on the same page during a race.

Formula 1 Season Supported By IP Distributed Network And Elbow GreaseDecember 17th 2021 - 09:00 AM

In the action-packed and frenetic world of motorsports operations, crew communications at the track can be as important to success as the actual performance of the car itself. Monitoring telemetry from the cars and managing and distributing hundreds of audio channels has also become vital. It’s hard work configuring the required technology infrastructures on a weekly basis during the 11-month Formula 1 (F1) racing season, but well worth it.

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Grass Valley’s Agile Media Processing Platform will help orchestrate customers’ move to cloud-based operations.

Refocused Grass Valley Puts Cloud-Based AMPP At The Center Of Its UniverseDecember 15th 2021 - 09:00 AM

Back in the fall of 2020, several months after private equity firm Black Dragon Capital completed its acquisition of Grass Valley, it became apparent to the company’s management team that it had an unpolished jewel in the GV portfolio that needed attention. Given the virtualization changes, cost cutting and high demand for new content occurring within the industry, customers who served as beta testers told them, “this AMPP thing is going to change the industry.”

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A brave drone owner/operator provided exciting live action close-up shots that ramped up the TV magic. Graphics courtesy KRMS-TV.

Live OB TV: It’s A Magic Show - Part 2December 13th 2021 - 09:00 AM

Planning for any kind of live TV broadcasting starts with a ‘what-if?’ list. What if the power source fails? What if a key production person gets sick or hurt? What if broadband internet access becomes unstable? What are the chances for each ‘what-if?’ and what back-up alternatives fit the budget? The list should be as lengthy as it is easy to edit.

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