Remote Production

Understand how to choose the optimal remote production strategy for your workflow. Latency, circuit data capacity, and quality of service all influence the best strategy decisions when figuring out where to install cameras, production switchers, microphones and sound consoles.

Recent Remote Production Content

Predicting what

Managing 2022January 10th 2022 - 09:30 AM

The new year is a time to ponder the past and muse about the future. In the past, nearly each technical device needed to produce broadcast TV cost more than building a new house, was as huge as it was heavy, and made pictures nobody would accept today. About 20 years ago, many analog TV stations were launching their DTV stations. Today, US TV stations are launching ATSC 3.0. Can you imagine what TV broadcasters will be doing in 2042?

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2022 looks to be a year of continued innovation and budget responsibility.

Production Trends For 2022January 7th 2022 - 09:00 AM

A new year means a new look at how your operations are handling (producing and delivering) content and which new technologies might make things better.

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TV production continues to successfully adapt to safety mandates and limitations to capture live events.

2021: Remote Tech Challenge MetDecember 31st 2021 - 09:00 AM

If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.

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Formula 1 Racing has used Riedel Comms systems for nearly three decades to keep its crews and drivers on the same page during a race.

Formula 1 Season Supported By IP Distributed Network And Elbow GreaseDecember 17th 2021 - 09:00 AM

In the action-packed and frenetic world of motorsports operations, crew communications at the track can be as important to success as the actual performance of the car itself. Monitoring telemetry from the cars and managing and distributing hundreds of audio channels has also become vital. It’s hard work configuring the required technology infrastructures on a weekly basis during the 11-month Formula 1 (F1) racing season, but well worth it.

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Grass Valley’s Agile Media Processing Platform will help orchestrate customers’ move to cloud-based operations.

Refocused Grass Valley Puts Cloud-Based AMPP At The Center Of Its UniverseDecember 15th 2021 - 09:00 AM

Back in the fall of 2020, several months after private equity firm Black Dragon Capital completed its acquisition of Grass Valley, it became apparent to the company’s management team that it had an unpolished jewel in the GV portfolio that needed attention. Given the virtualization changes, cost cutting and high demand for new content occurring within the industry, customers who served as beta testers told them, “this AMPP thing is going to change the industry.”

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A brave drone owner/operator provided exciting live action close-up shots that ramped up the TV magic. Graphics courtesy KRMS-TV.

Live OB TV: It’s A Magic Show - Part 2December 13th 2021 - 09:00 AM

Planning for any kind of live TV broadcasting starts with a ‘what-if?’ list. What if the power source fails? What if a key production person gets sick or hurt? What if broadband internet access becomes unstable? What are the chances for each ‘what-if?’ and what back-up alternatives fit the budget? The list should be as lengthy as it is easy to edit.

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The studio balcony provided an up-close view of World Championship powerboat racing and wild sound for announcers and a worldwide audience.

Live OB TV: It’s A Magic Show - Part 1December 6th 2021 - 09:00 AM

Most live remote outside broadcasts are thoroughly planned by producers and directors who are often too busy to consider potential equipment problems. Technology is an engineering responsibility. Engineers must be ready for any circumstances that threaten to take the show off-script or off-air, from dead wireless mic batteries to unexpected foul weather. In live TV, anything can happen and probably will, usually at the worst possible time.

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There is not a more simple or convenient way to transport live broadcast program content to multiple TV stations than by satellite.

For Maximum Live Field Production Convenience, Stack The DeckOctober 26th 2021 - 09:00 AM

Live TV production may not be the best fit for perfectionists who can’t recognize ‘good enough’ and move on. Live TV has no patience, no second chances and can never be late. Every live shot is a first impression.

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