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Broadcast For IT - Part 11 - SensorsJune 18th 2018 - 12:05 PM

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s, and in this article, we look at the most fundamental element of video – sensors.

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The proposed single master workflow reduces costs by enabling a single crew to produce SDR and HDR content simultaneously.

Build A Single Master Workflow For Cost-Effective Live HDR ProductionMay 10th 2018 - 09:00 AM

Despite all the fuss about 4K UHD television, producers of live sports and entertainment productions in the U.S. are finding that a 1080p at 59.94 fps HD signal delivered with high dynamic range (HDR) is more pleasing to the consumer’s eye. When compared to a 4K SDR picture, HD HDR images consume less bandwidth, are less expensive to produce and generally include darker blacks, brighter highlights, and richer, more vivid color. What’s not to like?

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Essential Guide: Migrating to IPOctober 24th 2017 - 08:00 AM

The business case for migrating to IP is compelling and driven by the needs of business owners. Broadcast engineers must rise to the challenge and if they are to deliver reliable IP infrastructures they must understand not only the technology, but the differences in how IT-Network and Broadcast engineers think.

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BCE Going Deeper - Part 1 - Cable, Standards and ITILOctober 19th 2017 - 12:30 PM

At the start of 2013, BCE at RTL City was a hole in Luxembourg’s ground and in less than four years they were on air broadcasting 35 different channels across Europe and Singapore. Costas Colombus is BCE’s Special Projects Manager and gave The Broadcast Bridge a unique insight into how they made this mammoth installation work, including describing the issues and how they overcame them along the way.

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Game Creek’s new Yogi is an IP-capable 4K UHD/IP truck with all fiber-optic inputs and outputs and a central IP switch.

Insatiable Need For More Sources Drives IP Demand In Live ProductionSeptember 7th 2017 - 11:00 AM

With each new technology transition—from SD to HD to 4K— remote production truck companies in the U.S. have been at the forefront, providing clients with the latest production tools to expand their production capabilities and make live sports and entertainment telecasts the best they can be.

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Multiple computers can be accessed at the same time using KVM

Essential Guide: KVM for BroadcastingDecember 9th 2016 - 01:00 PM

Copyright infringement is a big problem for broadcasters transmitting Hollywood block buster films. Compromising film revenues, unscrupulous staff can easily copy films to USB disc drives and distribute them illegally on BitTorents and other public distribution systems.

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Sky Sports ran a series of pre-season tests for UHD production and presentation including at Wembley.  Photo credit: Chris Lobina.

The Tried and Trusted Route to UHD Live - NEP UKNovember 22nd 2016 - 01:00 PM

​While Arena opted to invest in an IP core for its new fleet, Sky Sport’s other regular OB supplier, NEP UK has gone a different route out of necessity. This article, a follow up to ​the article ‘Making The Leap To 4K Live Over IP - Under The Hood At Arena’, explains its decision.

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Replacing a legacy SDI video router with IP Spine-Leaf switch fabric expands and enhances IP and SDI I/O flexibility.

Live IP Production TrendsAugust 16th 2016 - 03:00 PM

The goals of live IP production include the broadcast of live events, managing content for video switchers, viewing the content live, and switching and mixing the content for live program creation. Output may be IP, SDI or both. Can we do all that today?

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