News / Live

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Recent News / Live Content

Broadcast For IT - Part 12 - LensesJune 25th 2018 - 12:05 PM

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s, and in this article, we look at camera lenses, why, and how we use them.

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Broadcast For IT - Part 11 - SensorsJune 18th 2018 - 12:05 PM

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s, and in this article, we look at the most fundamental element of video – sensors.

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The proposed single master workflow reduces costs by enabling a single crew to produce SDR and HDR content simultaneously.

Build A Single Master Workflow For Cost-Effective Live HDR ProductionMay 10th 2018 - 09:00 AM

Despite all the fuss about 4K UHD television, producers of live sports and entertainment productions in the U.S. are finding that a 1080p at 59.94 fps HD signal delivered with high dynamic range (HDR) is more pleasing to the consumer’s eye. When compared to a 4K SDR picture, HD HDR images consume less bandwidth, are less expensive to produce and generally include darker blacks, brighter highlights, and richer, more vivid color. What’s not to like?

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An on-set Leader LV5333 in the CINEZONE mode for chromakey lighting adjustment.

Field Report: Leader LV5333 Gives I Love Hue an EdgeJanuary 17th 2018 - 01:00 PM

The Leader LV5333 reveals precisely where lighting hotspots are to help deliver the best chromakeys possible.

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GSU media center, CMII, to use Panasonic EVA1 (image) and Varicam LT cinema cameras.

Georgia State U Equipped with VariCam LT and AU-EVA1 Cameras and MoreOctober 30th 2017 - 12:00 PM

Georgia State University (GSU) opened the school’s $22.5 million, world-class media center, the Creative Media Industries Institute (CMII) on October 19. Panasonic will play an integral role in CMII through the provision of a broad array of professional video and display equipment, and through the company’s sponsorship of a marquee seminar series, “Bursts of Excellence,” featuring the filmmaking industry’s top above-and-below-the-line talent.

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Essential Guide: Migrating to IPOctober 24th 2017 - 08:00 AM

The business case for migrating to IP is compelling and driven by the needs of business owners. Broadcast engineers must rise to the challenge and if they are to deliver reliable IP infrastructures they must understand not only the technology, but the differences in how IT-Network and Broadcast engineers think.

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BCE Going Deeper - Part 1 - Cable, Standards and ITILOctober 19th 2017 - 12:30 PM

At the start of 2013, BCE at RTL City was a hole in Luxembourg’s ground and in less than four years they were on air broadcasting 35 different channels across Europe and Singapore. Costas Colombus is BCE’s Special Projects Manager and gave The Broadcast Bridge a unique insight into how they made this mammoth installation work, including describing the issues and how they overcame them along the way.

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Game Creek’s new Yogi is an IP-capable 4K UHD/IP truck with all fiber-optic inputs and outputs and a central IP switch.

Insatiable Need For More Sources Drives IP Demand In Live ProductionSeptember 7th 2017 - 11:00 AM

With each new technology transition—from SD to HD to 4K— remote production truck companies in the U.S. have been at the forefront, providing clients with the latest production tools to expand their production capabilities and make live sports and entertainment telecasts the best they can be.

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