4K / 8K

Workflows, equipment, and technology breakthroughs. Discover who is using 4K/8K and why. Understand the theory and practical significance of providing more pixels, higher frame rates, and bigger and better color space.

Recent 4K / 8K Content

HDR: Part 18 - The Resolution Ruse: It’s Not All Peaches And CreamJanuary 12th 2021 - 09:00 AM

With Blackmagic recently introducing a new 12K camcorder, the question arises (once again) how much resolution is enough. After all, even the most fervent resolution junkie would have to agree there is a practical upper limit to resolution and how much is actually discernible and worthwhile.

Read more

Remote distributed workflows from any continent.

Tech + Media Predictions 2021 - Part 1January 4th 2021 - 09:00 AM

The industry experienced futureshock head-on in 2020. The impact will take a long time to unwind but it’s already clear that some changes will be profound and not all of them bad. These changes include remote workflow permanency, virtual production shifts from exotic to routine and genuine efforts to save the planet. Here’s hoping.

Read more

Remotely controlled operations helped broadcasters resume live sports coverage despite strict safety measures.

2020 In Review: Industry Bruised But Not BeatenDecember 23rd 2020 - 09:00 AM

There’s no way to sugarcoat it: The pandemic has had a highly disruptive effect on video production and distribution in 2020 and many agree it will be felt for several years. The inability for people to gather safely has made it impossible for full-scale video production to go ahead as it did before. Yet, the industry has risen to the challenge in a myriad of ways and learned to be more efficient in the process.

Read more

The best part about virtual trade shows is no lines, no tipping, comfortable chairs and instant replays.

Bonded Cellular Links Move Forward Without ShowsOctober 12th 2020 - 09:00 AM

Changing TV station dynamics, new markets, and new technologies are driving wireless remote broadcasting link solution innovations.

Read more

HDR: Part 14 - LED TVs & Large Displays - What They Mean To DOPsSeptember 28th 2020 - 09:00 AM

Big-screen LCD TVs are not going away any time soon. Given the economy of scale, the LCDs in our homes and studios work well enough and will continue to work well enough for several more years. But given the advances in LED display technology, especially microLED, the writing of sub-micron size pixels is literally on the wall.

Read more

The Grass Valley LDX 100 can be configured in a number of ways, including as a high-speed, native UHD camera for sports replays.

Cameras Galore At Virtual IBC 2020September 23rd 2020 - 09:00 AM

In terms of new broadcast cameras, if the recent virtual IBC convention is any indication of how the industry is supporting broadcast and TV studio customers, buyer confusion reigns supreme. Gone are the days of one-camera-fits-all applications.

Read more

DOPs & Post Production: Is This Our New Livelihood?September 7th 2020 - 09:00 AM

Before pandemics and the downsizing at traditional, broadcast news operations, many news and non-fiction DOPs were already assuming a significant role in post-production. Whereas frame rates, f-stops, and the character of our lenses, once formed the backbone of our expertise and practice, DOPs in the non-theatrical realm increasingly find ourselves in a different kind of ditty bag, as correspondent, writer, director, and ersatz editor – all rolled into a one-person-can-do-anything-and-everything mode.

Read more

The Sponsors Perspective: How HDR Has Blurred Lines Between TV And CinemaJune 4th 2020 - 09:00 AM

Twenty years ago, there was a clear divide between how you shot and finished a project for Cinema compared to the typical workflows used in broadcast TV. With the advent of streaming services that provide 4K/UHD to a broad audience the lines are now blurred between these two worlds.

Read more